![]() She was an orphan taken in by Shao Kahn infused with blood magic (rather than be created solely from blood).Her abilities are gained from Shao Kahn's sorcery.Is this believable, well that's up to debate. So much so that it even eclipses her loyalty to Shao Kahn. Whilst non-canonical (like all Arcade endings), this portrays Skarlet with an insatiable appetite for power. We learn some interesting details in her Klassic Tower Ending. She is his deadliest, most faithful creation. Reborn by his sorcery with an insatiable bloodlust and the power to feed it, her crimson cravings are rivaled by her desire for Shao Kahn's praise. Skarlet was a starving wretch before Shao Kahn anointed her in blood. Mortal Kombat 11 introduces Skarlet with her official Bio, as per the website [Blood mage and Imperial Bodyguard. She rushes to battle to avenge him and is strengthened with each foe that fails. Skarlet's loyalty to Shao Kahn is unmoving. These points are reinforced in her arcade ending: She gains strength by absorbing blood through her skin.She is comprised of the blood of many warriors (like how Ermac is comprised of many souls).Skarlet is one of Shao Kahn's Creations (like Mileena, we can assume Shang Tsung provided the sorcery).Shao Kahn has a new mission for this formidable kombatant: discover Quan Chi's true intentions and kill him if he plots betrayal of the emperor.įrom this we learnt the following key details pertaining to her character: During kombat, Skarlet gains strength from her opponent's blood, absorbing it through her skin. ![]() An expert tracker, she preys on those deemed enemies of the empire. ![]() Warrior blood gathered from countless battlefields, fused with sorcery, produced his most effective enforcer yet: Skarlet. Shao Kahn has many warriors under his command, but his trust lies solely in the fighters of his own creation. This was the first canon appearance of the character and the first to give her backstory, as per her Bio : Skarlet was first officially introduced as a character in Mortal Kombat (2011).
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